and it is easier to stay at home,
the nice beer ready."
It hasn't run as long as Blue Hills, Australia's iconic radio serial. Blue Heelers may or may not be an icon but I think John Wood just might be. He has set something of a record in regard to the Logies. He is the most nominated actor never to win the Gold Logie. Now that Heelers is all but over, it is unlikely that he ever will take home the Gold. I fell in love with John when he played Sugar Renfrey in the television mini-series of Power Without Glory from Frank Hardy's novel of the same name. Final episodes go to air later this year.
My journey through Gippsland recently brought Angus McMillan into my consciousness. McMillan has an entry in the Dictionary of Australian Biography. One thing we know now is that there are many aspects, many voices to history. What we learn at school, or what is written in dominant histories is not the whole story. There is an old saying about history written by the victors. Angus McMillan was certainly one of the victors. He is a pioneer of white settlement only in Gippsland. Notice I added the word only. Settlers tend to just say that so-and-so was a pioneer. We forget or gloss over that so-and-so was a pioneer in one sense only. I first heard about Angus McMillan and his journey from Adrian on The Director. I found this interesting since there were other Victorian journeys by whitefellas but only Angus McMillan's is talked about in Gippsland to any extent. This is probably because it had and economic impact that was not present with the other journeys. The first seems to have been in 1797 when the Sydney Cove was wrecked on Preservation Island, part of the the greatest survival trek in Australian history. I am also aware of Thomas Walker's journey publish anonymously as A Month in the Bush Of Australia. Journal of one of a Party of Gentlemen who recently travelled From Sydney To Port Phillip - with some remarks on the present state of the Farming Establishments and Society in the settled parts of the Argyle Country. Catchy title, don't you think? The reason I know about this one is that my four-times great-grandfather Rear-Admiral John Gore gets a mention. And of course, there was Hume and Hovell but they didn't go to Gippsland. These are the histories of the victors.
An important place to visit in Bairnsdale is Krowathunkoolong, the keeping place of the Gurnai/Kurnai people. The aboriginal people of Bairnsdale seem to be well set up with a strong identity: there is a CDEP program, a childcare centre, and a place for the elders. They are keeping their culture strong and alive and making it known. One thing I learned from my visit was the discrepancy in history when only one side of the story is heard. There are many histories in our lives, many viewpoints and we need to listen to them all. You know the saying - history is written by the victors. Well, these days all sorts of people are getting a voice - even us bloggers - and it is good to listen to the voices to get some insight into what is actually happening or what has happened in the past.
The piece-de-resistance in Bairnsdale is the artwork at St Mary's Catholic Church. This is the work of Francesco Floreani. Floreani was born in Udine, near Venice, in 1899. He studied painting under Lucardi, Professor of Painting and Decorating at the Udine College before going on to the Academy of Arts at Turin.
Floreani left Italy in 1928. On arrival in Australia, he worked as ahouse painter in Melbourne. In the earlyl years of the great depression, he was forced into the country to look for work. Like many Italian migrants, he went to the Bairnsdale district where he found some employment, chiefly picking peas. Sometime in 1931, he turned up on the doorstep of the parish priest, Father Cremin, looking for work. Father Cremin asked him to repaint some of the statues at the foot of altar. He was impressed by Floreani's work as well as his credentials of formal artistic training. Every great artist needs a patron. Floreani had Father Cremin. Father Cremin commissioned Floreani to paint some murals in the church. Rather basic scaffolding was used: timber and rope anchored in sand-filled drums. Floreani covered the entire ribbed barrel-vaulted ceiling with gardlands of flowers and over three hundred seraphim and cherubim, each with a different face. The side altars, the sanctuary and upper areas of the nave walls were decorated in what proved to be a mammoth task. It took almost three years. Floreani received the sum of three pounds a week from Father Cremin's own purse. There were further extensions to the church and Floreani returned in 1937 to complete this work. He continued painting after returning to Melbourne where he died in 1981.
Orbost was my first stop en route to Mallacoota after leaving Red Bluff. This is a beautiful little country town on the Snowy River and the gateway to all that Snowy River country offers. The real estate prices are modest and the main street is well maintained and looks prosperous. Three real estate agents in town indicate optimism. Is this a town about to take off? Off again, with a pit-stop at Cann River. The General Store was busy, busy. Running out of coins, already out of bread rolls and using bread for the burgers, and unable to take specific orders only selling ready made food. On the main coastal highway from Sydney to Melbourne what else could be expected at this time of year. Then on to Mallacoota.
Unfortunately, this is not me.
A wonderful day!
Got off early on Tuesday morning. Gale force winds off Bass Strait and being cold were not conducive to a leisurely outdoor breakfast. Got in the car out of the wind where I could be warm and was off to Loch Sport. Loch Sport is situated on a sort of isthmus between Lake Reeve (a dry salt pan) and Lake Victoria a beautiful boat-strewn water sports heaven. It is a lovely place with some beautiful homes. The picture above was taken from The Causeway between Loch Sport and The 90 Mile Beach. There were thousands of little birds eating away in the shallows. Someone might like to tell me what sort of birds they are?